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Should reception and treatment areas play different music?

They can. Reception often benefits from slightly more energy, while treatment rooms usually need calmer and less distracting music.

Should salon reception and treatment areas play different music?

Sometimes. Different areas should use different music or volume only when their functions and acoustic conditions genuinely differ. Reception needs speech, phone calls, prices, and arrivals to remain clear. Treatment areas may need calmer, less distracting sound. An open styling floor may tolerate more movement, but only if clients and staff can still communicate.

The answer is not to create a separate playlist for every chair. Start with the service needs, test sound spill, and use the fewest zones that solve a real problem.

The operational problem

Reception and treatment areas often share one speaker feed even though they do different work:

This is an acoustic and service-design problem, not just a playlist problem.

What the evidence supports

Research on restaurant and hospitality acoustics shows that speech perception and acoustic comfort depend on background sound, reverberation, room design, and listener expectations. A salon is not a restaurant, so those studies do not produce a salon volume or prove a specific zoning layout. They do support testing the whole room rather than evaluating speakers in isolation.

NIOSH explains that occupational noise exposure depends on sound level and duration. Its 85 dBA eight-hour recommended exposure limit is a workplace noise reference, not a target for music and not a substitute for a professional assessment. It supports considering music alongside dryers, clippers, ventilation, voices, and cleaning equipment.

Music can also draw attention. A randomized worker study found that the effect of background music on attention depended substantially on whether people liked or disliked it. That is one reason treatment areas may benefit from less demanding selections, but it does not prove that instrumental music is always best or that every client wants silence.

Decide whether zones are necessary

Use separate zones when at least one of these is true:

Keep one zone when differences are small and a single moderate level supports speech everywhere. More zones create more devices, permissions, failure points, and opportunities for inconsistent volume.

A practical zoning test

  1. Draw the salon and mark reception, chairs, treatment rooms, equipment, and speaker positions.
  2. Observe whether sound crosses partitions, doors, or corridors.
  3. Test one programme at a low level and record where speech becomes difficult.
  4. Try a reception or treatment zone at a slightly lower level, not a dramatic contrast.
  5. Use normal greetings, phone calls, prices, treatment instructions, and client conversation.
  6. Ask staff whether the change improves service or merely moves the problem.
  7. Check the result during a busy period and a quiet appointment.
  8. Document the approved zone, player, volume range, and fallback.

Do not use music to cover conversations that should be protected through layout, staff practice, or acoustic privacy measures. Background sound is not a confidentiality guarantee.

Troubleshooting

If adjacent zones sound messy, reduce contrast, use related music, move speakers, or improve absorption before adding more players.

If treatment clients feel distracted, simplify the selection and reduce sharp transitions or lyrics. Offer a quiet option when appropriate.

If reception remains difficult to hear, lower music near reception and address reverberation. Do not compensate with a loud speaker at the desk.

If staff change both zones together, clarify permissions and label controls. A zone is useful only if it can be operated consistently.

Zoning checklist

MelloJam can support separate concurrent players for reception, styling, and treatment areas when the salon needs independent control. Keep the system simple and verify it during real services.

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Sources